Aboriginal Art Cushion Cover by Judy Watson
CROSS-CULTURAL PROJECTS - fine art - fine craft - ethical trade
We work with traditional artisans from remote regions in Kashmir, Peru, West Bengal, Uttar Pradesh and Nepal (Tibetan refugees).
We work with Australian Aboriginal artists from remote communities across Australia, from Arnhem Land to Central and the Western Desert regions, from rural locations and from cities. Artists own the images used and it is up to them how they can be used.
Artists benefit from royalties paid to them on a monthly basis. Art centres benefit from a substantial profit share paid on their investments.
Artisans benefit by having culturally appropriate opportunities, they are able to supplement rural income by practising age-old traditions in their own homes located in remote beautiful clean villages.
Cushion Cover Wool 16in (40cm)-JWA609
The country associated with this Jukurrpa is Mina Mina, a place far to the west of Yuendumu, which is significant to Napangardi/Napanangka women and Japangardi/Japanangka men. All of them are the custodians of the Jukurrpa that created the area.
The Jukurrpa story tells of the journey of a group of women of all ages who travelled to the east gathering food, collecting ngalyipi (snake vine – Tinospora smilacina) and performing ceremonies as they travelled. The women began their journey at Mina Mina where karlangu (digging sticks) emerged from the ground. Taking these implements the women travelled east creating Janyinki and other sites. Their journey took them far to the east beyond the boundaries of Warlpiri country. The ngalyipi vine grows up the trunks and limbs of the kurrkara (desert oak – Allocasuarina decaisneana) trees. Ngalyipi is a sacred vine to Napangardi and Napanangka women that has many uses. It can be used as a ceremonial wrap, as a strap to carry parrajas (wooden bowls) that are laden with bush tucker and as a tourniquet for headaches. The wavy lines represent the snake vine, the ‘u’ shapes the women, the circular shapes are edible mushrooms the women collect on their travels and the two straight lines in the middle represent digging sticks.
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