Aboriginal Art Cushion Cover by Murdie Nampijinpa Morris
CROSS-CULTURAL PROJECTS - fine art - fine craft - ethical trade
We work with traditional artisans from remote regions in Kashmir, Peru, West Bengal, Uttar Pradesh and Nepal (Tibetan refugees).
We work with Australian Aboriginal artists from remote communities across Australia, from Arnhem Land to Central and the Western Desert regions, from rural locations and from cities. Artists own the images used and it is up to them how they can be used.
Artists benefit from royalties paid to them on a monthly basis. Art centres benefit from a substantial profit share paid on their investments.
Artisans benefit by having culturally appropriate opportunities, they are able to supplement rural income by practising age-old traditions in their own homes located in remote beautiful clean villages.
Cushion Cover Wool 16in (40cm)-MNM649
In this Dreaming story, two dog ancestors, a Jampijinpa and a Napangardi, travelled from the west to the east. At Tapu (a rockhole), the two dogs separated. The female dog, Napangardi, went to the south. The male dog, Jampijinpa, went to the north. Eventually he became lonely and howled for Napangardi in the south.
She came running to him, and they married each other at Ngarnka. They wore men’s and women’s marriage headdresses, and Jampijinpa painted himself with white clay for the ceremony.
The two dogs continued running east, before arriving in Warlaku (Ali Curung). Many other dogs were living in Warlaku when they arrived. There were many families of dogs, mothers and fathers and children and uncles all living together. Jampijinpa and Napangardi made a burrow to rest in and started a big family of dogs there. They chose to stay in Warlaku and live with all the other dogs. In this way, the malikijarra Jukurrpa (two dogs Dreaming) tells the story of proper conduct in families and marriages.
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